DANCIO EDU
An in-depth collection of History, Legacy Techniques, and Academic Perspectives in Dance
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Dance Discovery
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MODULE 1: Why Dance?
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MODULE 2: Considering Dance
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MODULE 3: Dance and Culture Part 1: Ritual & Folk Dance
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MODULE 4: Dance & Culture Part 2: Exploring National Identity & Dances of Celebration
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MODULE 5: Dancing in the Political
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MODULE 6: Dance and Civil Rights
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MODULE 7: Ballet: An overview
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MODULE 8: The Formation of American Modern Dance
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MODULE 9: What is Postmodern Dance?
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MODULE 10: What is contemporary Concert Dance?
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MODULE 11: Dance in the Public Sphere
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MODULE 12: Dancing Protest
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MODULE 13: Consumption and Commodification
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MODULE 14: Dance and Technology
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MODULE 15: Independent Study
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MODULE 16: Reflection
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Diana Byer Legacy Project
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Africanism in Modern and Postmodern Dance
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MODULE 1: Defining Africanist
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MODULE 2: Defining Africanist Continued
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MODULE 3: Cultural Borrowing & Primitive Trope
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MODULE 4: Africanist Subtexts in Modern & Postmodern Dance
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MODULE 5: DeFrantz: Defining Black Dance
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MODULE 6: 1930s and Metaphorical Minstrelsy
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MODULE 7: 1930's-1940's: Federal Theatre Project
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MODULE 8: 1940's: Defrantz on Pearl Primus
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MODULE 9: Manningon Dunham & Primus
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MODULE 10: 1940's DeFrantz on Dunham
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MODULE 11: 1950's-60's: The Cold War & The Legacy of Alvin Ailey
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MODULE 12: DeFrantz on the Black Male Dancing Body
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MODULE 13: Appropriation, Exchange, Abstraction, and Whiteness in POstmodern Dance
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MODULE 14: Black Postmodern and Contemporary Dance Pioneers
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MODULE 15: Culturally Relevant Pedagogy
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MODULE 16: Culturally Relevant Pedagogy Continued
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Laban/Bartenieff w/ Alexandra Beller
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Retaking this course from the beginning will reset all of your tracked progress.